ارثنگ (Arthang)

ارثنگ (Arthang)

تاریخ هنر (گزیدۀ 'گفتارها، یادداشت‎های پراکنده، مقاله و پژوهش‎ها)
ارثنگ (Arthang)

ارثنگ (Arthang)

تاریخ هنر (گزیدۀ 'گفتارها، یادداشت‎های پراکنده، مقاله و پژوهش‎ها)

Interpreting Persian Paintings Based on Ibn al-Haytham's Ideas in al-Manazir book

Spatial System of Persian Painting and its Cognitive Processes:
Interpreting the Art World Based on Ibn al-Haytham's Ideas in al-Manazir Book

  

Abstract

Understanding each text – written or visual – is dependent on a familiarity with the codes it presents. The visual codes of Persian painting are not very understandable for the modern audience and this has formed several fundamental questions in regards with this genre. Among all the various elements which were involved with the formation of a way through which the universe as well as these paintings could be understood by old Iranians Islamic optics was one of the most influential ones. This field of science explains how people of the past used to define the process of seeing and visual understanding and makes the modern audience capable of seeing in the way they used to see. Al-Manazir is one of the most comprehensive sources among many available in this old field. The article in hand proves that based upon Ibn al-Haytham's ideas presented in al-Manazir, the major canons of Persian painting which were previously ambiguous in nature, can be explained. Canons such as repetitions of known patterns, the detailed and realistic representation of ornaments on the objects, neglecting individualistic facial features of people and representing them in almost the same way, a simultaneous two and three dimensional representation of the objects in a single painting, six various methods used for showing perspective or the depth of the field in Persian painting, and unique characteristics of colors (bright and brilliant colors and avoiding representation of shadows and shades).


Key Terms

Persian Painting (Miniature), Islamic Optics, Ibn al-Haytham (alhazen), Kitab al-Manazir.



and read:
- An Analysis of Pattern Making, Representation of Details, the Third Dimension of Objects in Iranian Paintings based upon the Islamic Optics, Here.
- Exploring Ways of Perspective in Iranian Traditional Paintings Based upon Ibn al-Haytham's Theories in al-Manazir book, Here.
- Manifestation of Sientific Ideas in Persian Miniature Paintings: The Significance of Silver in Representing Water Based on Islamic Optics, Here.
- Methods of Vision and Visual Perception in Persian Miniature and Optics Based on the Paintings from 13th to 16th Century and Ibn al-Haytham's Ideas (PhD dissertation), July 2018, Here.
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